THE CREATION OF THE PERFORMANCE OF ARRANGEMENTS BY PEDRO CAMERON, FOR SOLO GUITAR, OF THE WORKS “DESPREZADO” AND “NAQUELE TEMPO”, BY PIXINGUINHA
Performance; Acoustic Guitar; idiomatism
This research proposes to discuss the process of creating the performance of the arrangements
of Desprezado and Naquele Tempo, for solo guitar, by Pixinguinha, modified by Pedro
Cameron, based on their idiomatic characteristics. The focus of this research is on the
relationship between the study of idiomatic characteristics present in these songs and the
process of creating their performance, where a comparative study was made between the
scores of the arrangements and the scores that served as a reference for their elaboration, in
addition to recording these pieces made by other performers and the author of this research
himself. The analytical study segmented into two stages brought us important elements to
support the performance of these arrangements. As the performance did not depend solely on
this type of study to come to fruition, it could provide a basis for the moment of enunciation
of these songs.