REFLECTIONS ABOUT THE CONSTRUCTION OF A MUSICAL PERFORMANCE: THE SEARCHING OF ARTISTIC IDENTITY
Performance; Acoustic Guitar; Artistic research.
This research is based on autoethnography. The first chapter shows the metodology and theoretcal discussion about the more important concepts to this research: performance, performance construction and authenticity. The second chapter discuss about the process of a performance and preparing a solo guitar recital, which can be indentificated musicological analysis and implications of the decisions in performance. Furthermore, this chapter devotes much of the discussion to the proposed recital. In this sense, this research presents a general overview of how to organize and plan a performance, addressing aspects of instrumental practice, a possible path for selecting the repertoire and extra-musical issues relating to the production of the recital.