LAMENTOS DO MORRO BY GAROTO: A STYLISTIC ANALYSIS AND ITS IMPLICATIONS IN PERFORMANCE PRACTICES
Aníbal Augusto Sardinha; Garoto; Lamentos do Morro; Performance Musical; Stylistic Analysis.
This work aims to investigate the compositional stylistic of the piece Lamentos do Morro by the composer and guitarist Aníbal Augusto Sardinha (1915-1955), the Garoto, and its possible implications for performance practices. It is assumed that this composition indicates to the choice of formal, harmonic and rhythmic elements, less recurrent in relation to the Brazilian guitar language from that period. In this way, there will be made a transcription from the original audio interpreted by the composer himself and, a performance edition of it, which will be analyzed formally, harmoniously and stylistically. Moreover, a comparative analysis with other compositions by contemporary guitarists to Garoto, in order to reach more solid findings about the stylistics adopted in the piece (Cook, 1987). The references that will support the analyzes will be: Guest (2006), La Rue (1989; 1992; 2001), Pereira (2007); the reflections on performance practices and their interfaces with the analytical process will be based on the work of Cook (2006), Rink (2007), Hill (2002) and Almeida (2011).