LAMENTOS DO MORRO BY GAROTO: A STYLISTIC ANALYSIS AND ITS IMPLICATIONS IN PERFORMANCE PRACTICES
Aníbal Augusto Sardinha; Garoto; Lamentos do Morro; Performance Musical; Stylistic Analysis.
This work intends to investigate the compositional stylistic of the piece Lamentos do Morro by the composer and guitarist Aníbal Augusto Sardinha (1915-1955), nicknamed Garoto, and its possible implications for the performance practices. It is probable that this composition reveals choices of formal, harmonic and rhythmic elements, less recurrent in relation to the Brazilian guitar language from that period. In this way, there will be made a transcription from the original audio interpreted by the composer himself and, a performance edition, which will be analyzed formally, harmonically and stylistically. In addition, it becomes necessary a comparative analysis with other compositions by contemporary guitarists to Garoto, in order to come more solid the discoveries about the style adopted in the piece (Cook, 1987). The references that will support the analyzes will be: Guest (2006), La Rue (1989; 1992; 2001), Pereira (2007); the reflections about performance practices and their interfaces with the analytical process will be based on the works of Cook (2006), Rink (2007), Hill (2002) and Almeida (2011).