Banca de QUALIFICAÇÃO: LUCAS ROBERTO DE SOUZA OLIVEIRA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : LUCAS ROBERTO DE SOUZA OLIVEIRA
DATE: 30/06/2021
TIME: 09:00
LOCAL: On line
TITLE:

Subsidies for a rhetorical interpretation of the Antiphon and Lamentations of the Holy Thursday Office of Lobo de Mesquita

KEY WORDS:

Lobo de Mesquita; Antiphon and Lamentations of the Holy Thursday Office; Rhetoric and Music; Brazilian Colonial Music; Musical Interpretation.

PAGES: 100
BIG AREA: Lingüística, Letras e Artes
AREA: Artes
SUBÁREA: Música
SPECIALTY: Composição Musical
SUMMARY:

The present research investigates the Antiphon and Lamentations of the Holy Thursday Office by Lobo de Mesquita. Seeking to extract rhetorical subsidies for its musical interpretation, our looking goes through the dynamics existing between the verbal text and the musical text, exploring the process of musical reframing of the liturgical text and revealing the dialectic existing between both poles, in order to expose the examined points of the musical discourse employed and enabling the affective charge used in its interpretation. We understand that the manipulation adopted by Lobo de Mesquita in the sound treatment of the liturgical text came to generate a new musical discourse. For this reason, we opted for rhetoric in the analytical procedure, as it prescribes an adequate path to reveal the rational systematization of affects organized in the discourse. Thus, we rely on authors who published books, theses, dissertations, articles and similars, observing the use of the principles of rhetoric in the discursive construction in Music. Among them, Eliel Almeida Soares, with the observation of rhetorical figures in Brazilian Colonial Music; Bruce Haynes, showing how the principles of musical rhetoric and oratory have historically been present in musical performance itself; and mainly, Ana Margarida Madeira Minhós da Paixão, who in her thesis (2008) addresses theoretical works produced in Portugal between the 17th and 19th centuries, verifying the principles and techniques of textual construction common to literature and music and proximity between the two arts in procedures, norms and stages of rhetorical creation. From this study, it is still worth noting that the author discusses the modes of enunciation and reception at the level of the interpreter/performer and the effects of the discourse. We intend, therefore, to rhetorically explore the affective field invoked in the work of Lobo de Mesquita, taking from this experience facts that increase the breadth of his musical interpretation. The research goes in the direction of exploring the musical work without necessarily going through the musical performance act itself, but indicating musical expressiveness from its written material.

BANKING MEMBERS:
Presidente - 1803224 - MODESTO FLAVIO CHAGAS FONSECA
Interno - 1758115 - EDILSON ASSUNCAO ROCHA
Externo à Instituição - ANDRÉ CAVAZOTTI E SILVA - UFMG
Externo à Instituição - ELIEL ALMEIDA SOARES - USP