THE INCLUSION OF PHYSICAL EXERCISE IN THE DYNAMICS OF VOCAL WARM-UP AND ITS EFFECT FROM THE POINT OF VIEW OF ACOUSTIC ANALYSIS IN CHORISTERS.
choir, vocal warm-up, body warm-up, acoustics, music, physical education, speech therapy.
Music has always been a part of human life, from social moments to celebrations through a combination of sounds involving rhythms with harmonic and melodic characteristics. However, when it comes to scientific research into music, its relationship with vocal and body warm-up, voice measurements and what it reflects in singing, there is much to explore. Studies such as those recommending progressive warm-ups involving gradual physical warm-ups, observing tactile improvements and injury prevention, comparing simple vocal warm-ups with combined vocal warm-ups for women with a reduction in self-perceived vocal effort, while for men it reduced the fundamental frequency, investigating warm-ups involving physical and vocal warm-ups, observing that singers opted for the warm-up involving the physical and vocal part because they observed more resonant singing. This study will discuss the results of applying three types of standard warm-up (vocal, body and combined). The control group will have their voice recorded pre and post rest. In the voice group, choir members will have their voices recorded pre- and post-intervention, where they will undergo vocal warm-ups orchestrated by a conductor. In the body intervention group, individuals will have their voices recorded pre-intervention and will undergo active warm-up for a set period of time, after which their voices will be recorded. The body/voice warm-up group will combine body and vocal warm-ups for a set period of time, and their voices will be recorded pre- and post-intervention. Twenty-two individuals will take part in the study, including both men and women. Each participant's voice will be recorded pre-intervention and post-intervention. The analyses will be based on the analysis of acoustic parameters of sustained vowels ([a]) and ([e]), counting from 1 to 11, which will be subjected to the analysis of acoustic parameters of fundamental frequency, semitone variability, multiparametric measure, AVQI, validated for Portuguese, also considering their isolated measures [ Slope, (dB) Tilt, ( dB) Jitter,( %) Shimmer, (%) HNR, ( dB), HF Noise, (dB) CPPS (dB) ].